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Bentley Steps Into Culture: The Luxury Brand Rewriting Its Legacy

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In the evolving language of luxury, influence is no longer expressed solely through craftsmanship or performance—it is defined by what a brand chooses to preserve, elevate, and make possible.

It is within this context that Bentley, through its philanthropic arm, the Bentley Foundation, announces a new alignment with the National Portrait Gallery—marking its second institutional partnership following The Queen’s Reading Room.

This is not merely a collaboration. It is a deliberate step into cultural stewardship.

From Object to Institution

The partnership centres on Photo Portrait Now, a programme developed in collaboration with leading universities across England and Wales—an initiative that extends beyond access, into authorship.

Here, contemporary portrait photography becomes more than a discipline; it becomes a medium through which identity, representation, and narrative are redefined. Through mentorship, curatorial access, and direct engagement with one of the world’s most significant portrait collections, emerging artists are not simply trained—they are positioned.

The programme culminates in an annual exhibition and symposium at the National Portrait Gallery, where student works are presented within an institutional framework—alongside dialogue, critique, and professional exchange. It is here that emerging voices enter the continuum of cultural relevance.

The New Codes of Luxury

What Bentley is articulating is subtle, yet profound:

Luxury is no longer confined to the creation of exceptional objects—it extends into the creation of opportunity, access, and legacy.

By supporting underrepresented voices within the photographic arts, the Foundation moves beyond patronage into participation—helping shape not only who is seen, but who is remembered.

This reflects a broader shift across the highest tier of global luxury:
from ownership → to influence
from visibility → to authorship
from product → to permanence

Beyond 100+: A Philosophy of Continuity

Anchored in Bentley’s Beyond100+ strategy, the Foundation represents a long-term commitment to impact that extends beyond the brand’s immediate domain.

Its focus—spanning culture, education, and environmental responsibility—signals an understanding that true legacy is not built in moments, but in systems that endure.

In aligning with institutions such as the National Portrait Gallery, Bentley is not entering the cultural space—it is embedding itself within it.

A Quiet Repositioning

In many ways, this marks a broader recalibration within luxury itself.

The most powerful brands are no longer asking how they are seen.
They are asking what they sustain.

And increasingly, the answer lies not in what is produced—but in what is preserved, enabled, and passed forward.

Grandiose Perspective

For a global audience—and particularly within emerging luxury markets—this signals an important shift:

The future of luxury will not be defined solely by heritage, but by who has the authority to shape it next.

And in this evolving architecture, partnerships such as this are not peripheral.
They are foundational.

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The Business of Being Yourself. Yasmin Furmie, co The Business of Being Yourself.

Yasmin Furmie, co-founder of SiSi The Collection, talks to Grandiose about personal style, collecting with intention and building a design language that refuses to follow the crowd.  Her philosophy is perhaps best captured in the words she uses to describe William Kentridge designers including Lezanne Viviers, Thebe Magugu, Rich Mnisi, Sindiso Khumalo and Lukhanyo Mdingi, Furmie makes a compelling case for individuality, excellence and staying true to what you believe in.

She also reflects on reinvention, creative freedom and the importance of allowing yourself to change direction. Her philosophy is perhaps best captured in the words she uses to describe William Kentridge: “The work speaks for itself.”

Read the full story on Grandiose Magazine.

https://grandiosemag.co.za/

#GrandioseMagazine, #YasminFurmie, #SiSiTheCollection, #SouthAfricanFashion, #SouthAfricanDesign, AfricanFashion, AfricanDesign, LuxuryFashion
BRABUS SHADOW 1000 XC CROSS CABIN: 1,000 HORSEPOWE BRABUS SHADOW 1000 XC CROSS CABIN: 1,000 HORSEPOWER ON WATER

BRABUS brings its performance-driven philosophy to the water with the new Shadow 1000 XC Cross Cabin.

At 38 feet, the flagship BRABUS Marine model combines a Black Ops exterior, exposed carbon fibre and a bespoke Masterpiece interior with the serious hardware to match.

Twin Mercury Racing 500R V8s produce a combined 1,000 hp and 1,000 Nm-class performance, driving the Shadow 1000 to a top speed of up to 60 knots.

Inside, Moonstone and Graphite upholstery, carbon detailing, configurable deck layouts, premium audio, RGB lighting and a suite of navigation and control technologies create a boat designed equally for high-speed cruising, entertaining and relaxation.

With its unmistakable BRABUS presence, the Shadow 1000 is less about simply arriving somewhere than making an entrance on the way there.

Read the full story on Grandiose Magazine.

#BRABUS, #BRABUSMarine, #BRABUSShadow1000, #Shadow1000, #Shadow1000XC, CrossCabin, BRABUSShadow, LuxuryYacht, LuxuryBoat, PerformanceBoat, Superboat, Powerboat, HighPerformanceBoats, LuxuryMarine, MarineLuxury, BoatLife, YachtLife, LuxuryLifestyle, MercuryRacing, MercuLuxuryCraftsmanship, AutomotiveLuxury, BRABUSPerformance, GrandioseMagazine, GrandioseLuxury, GrandioseAutomotive
KARUIZAWA 1960: THE WHISKY BOTTLE THAT EXISTS TWIC KARUIZAWA 1960: THE WHISKY BOTTLE THAT EXISTS TWICE IN HISTORY

On 18 September, Sotheby’s will offer one of the most extraordinary bottles in Japanese whisky collecting: Karuizawa 1960 Cask #5627, “The Prototype.”

Estimated at $400,000–$600,000, the bottle was drawn directly from Karuizawa’s oldest cask on 20 December 2012, before the celebrated 1960 vintage was commercially released.

Only two bottles were ever hand-filled directly from Cask #5627 at this pre-release stage.

This bottle was filled by Osami Uchibori, Karuizawa’s final Master Distiller, who had worked at the distillery since the cask was originally distilled in 1960.

Matured for 52 years, Cask #5627 ultimately yielded just 41 commercially available bottles.

The Prototype is more than an exceptionally rare whisky.

It is a surviving piece of a distillery that can never produce again.

Some bottles preserve whisky. Others preserve history.

Read the full story on Grandiose Magazine. 

#Karuizawa, #KaruizawaWhisky, Karuizawa1960, Karuizawa5627, ThePrototype, JapaneseWhisky, JapaneseWhiskey, Whisky, Whiskey, JapaneseCraftsmanship, JapaneseHeritage, WhiskyHistory, WhiskyProvenance, LuxuryCollectibles, Collectibles, LuxuryCulture, GrandioseMagazine, GrandioseLuxury, GrandioseLifestyl
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Powered by a 1,578 hp quad-turbocharged 8.0-litre W-16, the Mistral is also the world’s fastest open-top production car, reaching an incredible 453 km/h.

While Bugatti now enters the hybrid age with the Tourbillon, the W-16 will forever remain one of the greatest engines ever built.

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The collectible transforms Klimt’s masterpiece into a layered, three-dimensional work of art that celebrates craftsmanship, design and creativity in an entirely new way.

More than a building set, it’s a tribute to one of history’s most celebrated paintings.

Available from 1 August.

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One of Japan’s most beloved whiskies is finally ba One of Japan’s most beloved whiskies is finally back. 🥃

After an 11-year absence, Nikka Miyagikyo 10 Year Single Malt returns with its signature silky character, layered notes of apple, citrus, vanilla and gentle oak.

First discontinued during Japan’s whisky shortage, the celebrated age-statement expression now returns in extremely limited numbers, with just 1,572 bottles allocated across the United States.

For collectors and whisky lovers, this isn’t simply another release.

It’s the return of a modern Japanese classic.

Read the full story on Grandiose Magazine.

#, #RareWhisky, #CollectorsEdition, #LuxuryDrinks, #SpiritsofJapan,
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